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Curationist Object DescriptionThis print depicts Hanaōgi, a high-ranked Japanese courtesan, or oiran>, as she sits and writes at her desk surrounded by calligraphic accoutrements. Hanaōgi’s literacy, elaborate hairstyle, and fine kimono communicate her rank. This print is from a series called “Beauties of the Pleasure Quarters as Six Floral Immortals.” Ukiyo-e is a genre of block print focused on the pleasures of Edo-era urban life. “Beauties of the Pleasure Quarters” was a common theme for albums depicting the most popular courtesans of the day. Ukiyo-e artists frequently celebrated courtesans’ literary talents. This print is a play on the Japanese and Chinese literary theme of the rokkasen, or “six poetry immortals,” who were six famous Japanese poets of the ninth century. Chōbunsai Eishi used a play on words to substitute “floral” for “poetic” in his title of this series, implying that the courtesans were both great poets and as beautiful as flowers.
Metropolitan Museum of Art Object Description
Woodblock print (nishiki-e)
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All Works in Curationist’s archives can be reproduced and used freely. How to attribute this Work:
Chōbunsai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series "Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen)," circa 1794 (Kansei 6). Metropolitan Museum of Art. The woodblock print depicts Hanaōgi, a high-ranked courtesan from Edo period Japan, as she sits and writes at her desk. Public Domain.
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