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Mask

Creator Name

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Unknown

Cultural Context

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Aztec; Mexica; Indigenous

Date

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Mesoamerican Postclassic period

About the work

Curationist LogoCurationist Object Description
Scholars think the bulbous, lively eyes starting out from this skull mask represent the cyclical relationship between death and life in Mesoamerican cosmovision. Life is born from death; death follows life.

Mask-wearing was central to Mexica religious life and thus the ritual life of the Aztec Empire. Aztec gods, represented in artifacts and codices, typically wear masks or headdresses. Some scholars have argued that masks are a central metaphor for Mesoamerican cosmovision, which views the life of this world as material matter adorning an ever-becoming life force.

While wearing masks, the human celebrant ceased to be human and instead embodied the god or principle represented by the mask. Someone likely wore this mask during rituals, perhaps as part of a more elaborate ritual outfit.
Walters Art Museum Object Description

Throughout Mesoamerica, the wearing of masks was central to the performance of religious rituals and reenactments of myths and history. The face is the center of identity, and by changing one's face, a person can transcend the bounds of self, social expectations, and even earthly limitations. In this transformed state, the human becomes the god, supernatural being or mythic hero portrayed. Masks of skeletal heads, whether human or animal, are relatively common, for death played a central role in Mexica religion. Death was one of the twenty daysigns of the Mexican calendar, indicating its essential place in the natural cycle of the cosmos. Death also was directly connected to the concept of regeneration and resurrection, which was a basic principle ...

Work details

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Title

Mask

Creator

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Unknown
Aztec

Worktype

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Mask
Sculpture; masks (costume)

Cultural Context

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Aztec; Mexica; Indigenous
Mexica (Aztec)

Material

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Earthenware
earthenware

Dimensions

H: 5 5/16 x W: 3 3/8 x D: 1 1/2 in. (13.46 x 8.64 x 3.81 cm)

Technique

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Language

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Date

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Mesoamerican Postclassic period
n. d. (Late Postclassic)

Provenance

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Private collection, California; Ron Messick Fine Arts, Santa Fe, New Mexico; purchased by John G. Bourne, Sante Fe, 2000; given to John G. Bourne Foundation, 2000 [1]; given to Walters Art Museum, 2013.
given to Walters Art Museum, 2013.[1] according to Bourne Foundation accounts; Private collection, California; Ron Messick Fine Arts, Santa Fe, New Mexico; purchased by John G. Bourne, Sante Fe, 2000; given to John G. Bourne Foundation, 2000 [1]; given to Walters Art Museum, 2013.[1] according to Bourne Foundation accounts

Style Period

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Rights

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CC0; GNU Free Documentation License

Inscription

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Location

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Mexico

Subjects

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Memento mori; Skull; Death (natural phenomenon); Skeleton; Ceremonial object; Life; Mythology

Topic

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Mexican History

Curationist Metadata Contributors

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Jessica Gengler; Reina Gattuso

All Works in Curationist’s archives can be reproduced and used freely. How to attribute this Work:

Unknown, Mask, Aztec (Mexica), Late Postclassic. Walters Art Museum. An earthenware Mexica mask in the shape of a skull. CC0.

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