Man-Bird Effigy Ocarina

Creator Name

Veracruz

Cultural Context

Veracruz

Date

AD 600-900 (Late Classic)

About the work

Walters Art Museum Object Description

Sixteenth-century Spanish chroniclers recount the playing of ocarinas by Aztec participants and audience members alike during processions in Tenochtitlan (Mexico City). The simplicity of playing an ocarina removed the instrument from one of exclusivity requiring extensive practice in order to create an acceptable musical score. The ocarina was widely used among the peoples of Mesoamerica, and examples have been found by archaeologists in both palaces and the humble abodes of commoners. This ocarina is of the type found in prodigious numbers among all societies of ancient Mesoamerica and elsewhere in the Americas. Mesoamerican artworks, from carved stone panels to painted books, often render warriors, dancers, and other performers playing this type of instrument. The Veracruz instrument represents a person wearing ...

Work details

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Title

Man-Bird Effigy Ocarina

Creator

Veracruz

Worktype

Sculpture; whistles; effigies

Cultural Context

Veracruz

Material

earthenware, black paint

Dimensions

H: 7 15/16 x W: 6 15/16 x D: 5 5/8 in. (20.2 x 17.6 x 14.3 cm)

Technique

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Language

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Date

AD 600-900 (Late Classic)

Provenance

given to Walters Art Museum, 2013.; Economos Works of Art; purchased by John G. Bourne, Santa Fe, New Mexico, between 1990 and 1999; given to Walters Art Museum, 2013.

Style Period

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Rights

Curationist Logo
CC0; GNU Free Documentation License

Inscription

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Location

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Subject

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Topic

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All Works in Curationist’s archives can be reproduced and used freely. How to attribute this Work:

Veracruz, Man-Bird Effigy Ocarina, AD 600-900 (Late Classic), Walters Art Museum. CC0, GNU Free Documentation License.

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